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As a season of 1990s cinema kicks off at BFI Southbank, we look back at the suburban landscapes of Mathieu Kassovitz’s vital portrait of the Paris suburbs

Mathieu Kassovitz’s award-winning drama, La Haine (1995), follows a day in the life of three young men from immigrant families in a poverty-stricken Paris suburb. Fizzing with rage, the film gave voice to the disavowed communities in the housing projects outside of the capital but, essentially, didn’t romanticise the tough reality of these charged environments. Using stylistic innovation, black and white photography, and the director’s real life experiences witnessing protests against police brutality, Kassovitz created a moody social surrealism that resulted in one of the great urban portraits of the 1990s. [READ MORE]